The vendors on the street sell kamasutra packaged as paintings or books or crude carvings depicting various forms of lovemaking. And yet, there is an intrigue around the erotic sculptures of Khajuraho that adorn the walls of these temples. It’s a wonder why the Chandelas, who ruled over 1000 years ago built these monuments which represent love and lust in various forms. And it is not just the Chandelas. Lets revisit India during the 9th- 12th centuries – from North to South, there are many temples with erotic sculptures. The Chalukyas and the Hoysala temples have carved them on their walls, even if they are not as explicit as those in Khajuraho or Konark.
There seems to be different interpretations regarding the erotic sculptures of Khajuraho- from stories to spiritual beliefs. The moon always evokes romance and it is little wonder then that the descendants of the celestial moon god would build monuments that stand for love. The story goes that a beautiful woman called Hemavathy was bathing in the dark under moonlight, when she was seduced by the moon himself. She ran into the forests for refuge and raised her son, Chandravarman alone.The moon, however, promised her that their son would one day rule over a kingdom. True to his word, Chandravarman grew up to establish the Chandela dynasty. It is believed that he was influenced by his mother’s story and so he built temples with sculptures depicting human passions and probably, the futility of the same.
Here is another belief that says the carvings of mithunas are symbols of “good luck” along with several sculptures that showcase mythical creatures. Another interpretation says they served as a form of sex education, by rekindling passions in the ascetic minds of people, who were probably influenced by Buddhism.
And there are several interpretations that speak of varying beliefs in Hinduism that seem to be in the fore. One of them speaks about leaving your lust and desires behind before entering the temple, which is probably why there are no carvings of sex inside the temples. The Mithunas or the couples in love are only portrayed on the outside walls of the shrines.
The Chausath Yogini temple, a Tantric temple dedicated to 64 goddesses is the oldest temple in Khajuraho. A mystical air hangs around it, although all the shrines are empty. It is believed that Khajuraho is charged with energy and the 64 yoginis control the very essence of life, balancing both body and mind together. While reading upon various Tantric beliefs, one of them even compared the Mithunas making love as a metaphor , representing the sexual imagery of the life force an union of Shiva and Shakthi.The philosophy, even extends to the architecture. Some see even the design as a symbol of the union of Shiva and Savitri.
Another interpretation, even goes to say that the temples themselves are designed as a form of the “seductress”.And there is this belief centered around the Tantric cult that explains that the sculptures are metaphors and are actually a form of language, a form of educating the various doctrines of the cult through symbols and imagery.
When coming back to the 22 remaining temples, dedicated to Jainism and Hinduism, there is more to them than just the sexual imagery. They are divided in three main groups – Western, Eastern and Southern. Most of the erotic sculptures are seen in the Western Group of temples. A few temples in the Eastern Group are dedicated to Jain teerthankaras.
The sculptures are grouped into five broad categories. The first category is the cult images and they are built exactly as prescribed in the manual – the Shilpashastra. You can see some of them carved as the teerthankaras in the Jain museum.
The second category are the ones you see in the reliefs and niches and they usually represent attendants, the guardian deities, the gandharvas, the shiva ganas, the Ashta dikpalas among others.
The third, the Apsaras, also referred to as sapna sundaris. The sculptors seemed to have run riot carving these beautiful women in various activities. They seem so life like and beautiful and every minute detail has been given importance to These graceful nymphs portray human emotions. You seem them dancing, painting, holding a parrot, caressing a baby or scratching their backs or just undressing. These are not exclusive to Khajuraho as well as you can see them in several Hoysala temples as well besides others








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